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Title:Od glasu do zbora - Moški pevski zbor Svoboda Brestanica : magistrsko delo
Authors:ID Pisek, Nina (Author)
ID Vulc, Tadeja (Mentor) More about this mentor... New window
Files:.pdf MAG_Pisek_Nina_2025.pdf (2,17 MB)
MD5: 87D754A9197564BED05D54D38C9E93FC
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Abstract:Zbor je ogledalo, odsev, odraz dirigenta. Skozi nastop zbora, drže zborovskih pevcev, njihovega izraza, petja in odnosa do glasbe se prepoznajo značilnosti njihovega dirigenta, zato je pomembno, da se vsi zborovodje, tako profesionalnih kot ljubiteljskih zborov, trudijo delo opravljati čim bolj profesionalno in koristno za pevce. Za delovanje zbora je pomembno, da zborovodja pozna in obvlada vokalno tehniko in veščine dirigiranja, poleg tega pa mora za uspešno delovanje imeti tudi vodstvene sposobnosti, socialne in psihološke veščine za delo z ljudmi in določene osebnostne značilnosti, ki mu pomagajo pri uresničevanju ciljev znotraj zbora in večletnem sodelovanju z zborom. Pri izbiri skladb za zbor in oblikovanju repertoarja ne sme biti subjektiven in mora biti pozoren na več dejavnikov, če želi biti pri izdelavi repertoarja in programa uspešen. V magistrski nalogi bomo raziskali in povzeli delo in značilnosti uspešnega zborovodje in njegovo vlogo pri izbiri repertoarja ter opisali nastanek in delovanje Moškega pevskega zbora Svoboda Brestanica. Posvetili se bomo predvsem njihovemu repertoarju skladb zadnjih 25 let, ki ga bomo razvrstili po abecednem vrstnem redu glede na skladatelja, povzeli programe koncertov od leta 2002 dalje in raziskali, katere skladbe, glede na izvor, so bile najpogosteje prepevane in kateri skladatelji so se največkrat pojavili v njihovem repertoarju.
Keywords:zborovodja, vokalna tehnika, moški pevski zbor, repertoar, Brestanica
Publication status:Published
Publication version:Version of Record
Place of publishing:Maribor
Place of performance:Maribor
Publisher:N. Pisek
Year of publishing:2025
Number of pages:1 spletni vir (1 datoteka PDF (XII, 112str.))
PID:20.500.12556/DKUM-92753 New window
UDC:78.087.68(497.4Brestanica)(043.2)
COBISS.SI-ID:243488003 New window
Publication date in DKUM:23.07.2025
Views:157
Downloads:36
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:10.05.2025

Secondary language

Language:English
Title:From Voice to Choir - Svoboda Brestanica Male Choir
Abstract:The choir is a mirror, a reflection, an image of the conductor. The characteristics of the conductor are recognized through the performance of the choir, the posture of the choir singers, their expression, singing and attitude towards music, so it is important that all conductors, both professional and amateur choirs, try to do their job as professionally and usefully for the singers as possible. For the operation of the choir, it is important that the choirmaster knows and masters vocal technique and conducting skills, and in addition, for successful operation, he must also possess leadership skills, social and psychological skills for working with people and certain personality characteristics that help him achieve goals within the choir and long-term cooperation with the choir. When choosing compositions for the choir and designing the repertoire, he must not be subjective and must pay attention to several factors if he wants to be successful in creating the repertoire and the program. In the master's thesis, we will research and summarize the work and characteristics of a successful choirmaster and their role in selecting repertoire, and describe the creation and operation of the Svoboda Brestanica Male Choir. We will focus primarily on their repertoire of compositions from the last 25 years, which we will arrange in alphabetical order by composer, summarize concert programs from 2002 onwards, and investigate which compositions, based on their origin, were most frequently sung and which composers appeared most frequently in their repertoire.
Keywords:choirmaster, vocal technique, male voice choir, repertoire, Brestanica


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