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Title:Nadrealistična fotografija Dore Maar
Authors:ID Klemenčič, Manja (Author)
ID Verlak, Tanja (Mentor) More about this mentor... New window
Files:.pdf UN_Klemencic_Manja_2025.pdf (1,56 MB)
MD5: 5FC7F3DA6C4FAA4899651758DAA54A7E
 
Language:Slovenian
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FERI - Faculty of Electrical Engineering and Computer Science
Abstract:Zaključno delo je osredotočeno na nadrealistično fotografijo skozi analizo izbranih del Dore Maar s poudarkom na fotomontaži. Na začetku so predstavljena temeljna izhodišča nadrealizma in njegov vpliv na fotografijo. V osrednjem delu naloge je izvedena vizualna analiza fotografij Prevarant in Brez naslova (Roka-Školjka), s katerima je prikazano, kako je z uporabo fotomontaže izražena kompleksna napetost med človekovim zavednim in nezavednim. V primerjalni analizi umetnice z Manom Rayem in Hansom Bellmerjem so izpostavljene razlike v simboliki in družbenokritičnih temah. V nalogi je osvetljena tudi vloga Dore Maar kot umetnice znotraj gibanja, ki je ženske pogosto marginaliziralo.
Keywords:Dora Maar, nadrealizem, fotomontaža, vizualna analiza, ženske v umetnosti
Place of publishing:Maribor
Publisher:[M. Klemenčič]
Year of publishing:2025
PID:20.500.12556/DKUM-94414 New window
UDC:77.04.037.5(043.2)
COBISS.SI-ID:253837059 New window
Publication date in DKUM:04.09.2025
Views:164
Downloads:35
Metadata:XML DC-XML DC-RDF
Categories:KTFMB - FERI
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Licences

License:CC BY-NC 4.0, Creative Commons Attribution-NonCommercial 4.0 International
Link:http://creativecommons.org/licenses/by-nc/4.0/
Description:A creative commons license that bans commercial use, but the users don’t have to license their derivative works on the same terms.
Licensing start date:15.08.2025

Secondary language

Language:English
Title:Surreal photography of Dora Maar
Abstract:This thesis explores surrealist photography through an analysis of selected works by Dora Maar, with a particular focus on photomontage. It begins by outlining the key principles of surrealism and its impact on photography. The central section offers a visual analysis of Maar’s photographs The Pretender and Untitled (Hand-Shell), illustrating how photomontage conveys the complex tension between the conscious and unconscious mind. A comparative analysis with the works of Man Ray and Hans Bellmer highlights differences in symbolism and socio-critical themes. Finally, the thesis underscores Dora Maar’s significance as an artist within a movement that frequently marginalized women.
Keywords:Dora Maar, surrealism, photomontage, visual analysis, women in art


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