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Title:Building intimacy between the protagonists in the film adaptations of Hardy's Far from the madding crowd : master's thesis
Authors:ID Globočnik, Karmen (Author)
ID Onič, Tomaž (Mentor) More about this mentor... New window
ID Trupej, Janko (Comentor)
Files:.pdf MAG_Globocnik_Karmen_2025.pdf (1,12 MB)
MD5: 5901D61A5678C065901BA5A89F422297
 
Language:English
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Abstract:Thomas Hardy’s Far from the Madding Crowd (1874) has been adapted into film multiple times, with notable versions directed by John Schlesinger (1967), Nicholas Renton (1998), and Thomas Vinterberg (2015). This thesis explores how these adaptations portray the intimacy between the two protagonists, Bathsheba Everdene and Gabriel Oak, focusing on the visual and narrative techniques that have been used to develop their relationship. By analysing a selection of key scenes from each adaptation, the thesis investigates the use of close-ups, camera angles, and dialogue features to convey the growing intimacy between Bathsheba and Gabriel, examining how these techniques reflect power dynamics and interact with physical closeness. Additionally, it considers how portraying intimacy differs across adaptations. The 1967 and 1998 films seem to use power dynamics more prominently through camera angles, while the 2015 adaptation foregrounds physical intimacy and humour. The findings show that each film emphasizes various aspects of the protagonists' relationship; the 1967 version focuses more on Bathsheba and Troy's connection, while the 1998 and 2015 films highlight the bond between Bathsheba and Gabriel. Finally, this thesis contributes to the study of film adaptations of classic literature by offering a detailed comparison of the representation of intimacy across three distinct cinematic interpretations of Hardy’s novel.
Keywords:Thomas Hardy, Far from the madding crowd, film adaptation, portrayal of intimacy
Place of publishing:Maribor
Place of performance:Maribor
Publisher:K. Globočnik
Year of publishing:2025
Number of pages:1 spletni vir (1 datoteka PDF (IX, 75 str.))
PID:20.500.12556/DKUM-94578 New window
UDC:821.111.09(043.2)(0.034.2)
COBISS.SI-ID:249606659 New window
Publication date in DKUM:19.09.2025
Views:293
Downloads:31
Metadata:XML DC-XML DC-RDF
Categories:FF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:21.08.2025

Secondary language

Language:Slovenian
Title:Prikaz intime med protagonistoma v filmskih adaptacijah Hardyjevega romana Daleč od ponorelega sveta : magistrsko delo
Abstract:Thomas Hardyjev roman Far from the Madding Crowd (1874) je bil večkrat prirejen za filmsko platno, med najpomembnejšimi različicami pa so filmi režiserjev Johna Schlesingerja (1967), Nicholasa Rentona (1998) in Thomasa Vinterberga (2015). Magistrsko delo raziskuje, kako ti filmi prikazujejo intimo med glavnima protagonistoma, Bathshebo Everdene in Gabrielom Oakom, s poudarkom na vizualnih in pripovednih tehnikah, uporabljenih za razvoj njunega odnosa. Z analizo izbranih ključnih prizorov iz filmskih adaptacij naloga proučuje uporabo posnetkov od blizu (v ang. close ups), kotov kamere in značilnosti dialoga za izražanje intime med Bathshebo in Gabrielom ter ugotavlja, kako te tehnike odražajo razmerja moči in se prepletajo s fizično bližino. Poleg tega obravnava razlike v prikazu intime med posameznimi adaptacijami. Filma iz let 1967 in 1998 razmerja moči izraziteje prikazujeta s pomočjo kotov kamere, medtem ko adaptacija iz leta 2015 v ospredje postavlja fizično intimo in humor. Ugotovitve kažejo, da vsak film izpostavlja različne vidike odnosa protagonistov: različica iz leta 1967 se bolj osredotoča na Bathshebin in Troyjev odnos, medtem ko filma iz let 1998 in 2015 izpostavljata vez med Bathshebo in Gabrielom. Nazadnje magistrsko delo prispeva k raziskovanju filmskih adaptacij klasične literature s podrobno primerjavo prikazovanja intime v treh različnih filmskih interpretacijah Hardyjevega romana.
Keywords:Thomas Hardy, Far from the madding crowd, filmska adaptacija, prikaz intime


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