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Title:Uporaba slovenskih simbolov in vzorcev v sodobnem grafičnem oblikovanju : diplomsko delo
Authors:ID Meh, Tia (Author)
ID Udir Mišič, Katja (Mentor) More about this mentor... New window
Files:.pdf UN_Meh_Tia_2025.pdf (2,72 MB)
MD5: BBE50BD8745156554DE1501FAA09F822
 
Language:Slovenian
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FERI - Faculty of Electrical Engineering and Computer Science
Abstract:Diplomsko delo raziskuje, kako lahko tradicionalni slovenski simboli in vzorci postanejo navdih za sodobno grafično oblikovanje. V teoretičnem delu so predstavljeni pomen, simbolika in primeri uporabe vezenin, panjskih končnic, idrijske čipke in ornamentike, v praktičnem delu pa je zasnovana celostna grafična podoba za turistično kmetijo Karničnik. Rezultati kažejo, da lahko premišljena vključitev kulturne dediščine v oblikovanje ohranja identiteto in prinaša sodobne, prepoznavne rešitve. Delo potrjuje, da tradicija tudi danes ostaja dragocen oblikovalski vir.
Keywords:simbolika, identiteta, tradicionalnost, oblikovanje, ornamentika
Place of publishing:Maribor
Place of performance:Maribor
Publisher:[T. Meh]
Year of publishing:2025
Number of pages:1 spletni vir (1 datoteka PDF (VI, 53 str.))
PID:20.500.12556/DKUM-94800 New window
UDC:7.045:659.126(043.2)
COBISS.SI-ID:255148035 New window
Publication date in DKUM:30.09.2025
Views:142
Downloads:52
Metadata:XML DC-XML DC-RDF
Categories:KTFMB - FERI
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:27.08.2025

Secondary language

Language:English
Title:The use of Slovenian symbols and patterns in contemporary graphic design
Abstract:This thesis explores how traditional Slovenian symbols and patterns can serve as inspiration for contemporary graphic design. The theoretical part presents the meaning, symbolism, and examples of embroidery, painted beehive panels, Idrija lace, and ornamentation, while the practical part focuses on the development of a visual identity for the Karničnik tourist farm. The results show that thoughtful integration of cultural heritage into design helps preserve identity while creating modern, recognizable solutions. The thesis confirms that tradition remains a valuable resource for design today.
Keywords:symbolism, identity, tradition, design, ornamentation


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