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Title:Organizacija tonske produkcije v reportažnem vozilu za izvedbo športnih prenosov : magistrsko delo
Authors:ID Vavče, Matej (Author)
ID Dugonik, Bogdan (Mentor) More about this mentor... New window
ID Pucer, Matevž (Comentor)
Files:.pdf MAG_Vavce_Matej_2025.pdf (3,35 MB)
MD5: 7D5408A2EB61446CA9FDAD506053C46D
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FERI - Faculty of Electrical Engineering and Computer Science
Abstract:Magistrsko delo obravnava pomen zvoka v televizijski produkciji športnih prenosov, kjer zvok ni le spremljava slike, temveč ključni element pri ustvarjanju pristne gledalske izkušnje. Teoretični del pojasnjuje procese zajema, obdelave in prenosa zvoka, vlogo mikrofonov, protokolov in standardov, kot so MADI, Dante in Dolby. Praktični del opiše športni prenos in izpostavlja tehnične ter ustvarjalne izzive, kot so sinhronizacija zvoka s sliko, zmanjševanje zakasnitev ter zagotavljanje enakomerne kakovosti v zahtevnih pogojih. Zaključki poudarjajo pomen strokovnega sodelovanja in predlagajo izboljšave, ki lahko še okrepijo kakovost zvočne podobe športnih prenosov.
Keywords:športni prenos, produkcija, mikrofon, zvok
Place of publishing:Maribor
Place of performance:Maribor
Publisher:[M. Vavče]
Year of publishing:2025
Number of pages:1 spletni vir (1 datoteka PDF (XI, 57 str.))
PID:20.500.12556/DKUM-95555 New window
UDC:534.86:796.097(043.2)
COBISS.SI-ID:255967235 New window
Publication date in DKUM:15.10.2025
Views:116
Downloads:33
Metadata:XML DC-XML DC-RDF
Categories:KTFMB - FERI
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Licences

License:CC BY 4.0, Creative Commons Attribution 4.0 International
Link:http://creativecommons.org/licenses/by/4.0/
Description:This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.
Licensing start date:25.09.2025

Secondary language

Language:English
Title:Organization of Audio Production in an Broadcast Vehicle for Sports Broadcasting
Abstract:The thesis explores the role of sound in television production of sports broadcasts, where audio is not merely an addition to visuals but a key element in creating an authentic viewer experience. The theoretical part examines processes of capturing, processing, and transmitting sound, highlighting microphones, protocols, and standards such as MADI, Dante, and Dolby. The practical section describes sports broadcasts, focusing on technical and creative challenges like synchronization of sound and image, latency reduction, and maintaining consistent quality under demanding conditions. The findings emphasize the importance of interdisciplinary collaboration and propose improvements to further enhance the audio experience of sports productions.
Keywords:sports broadcast, production, microphone, sound


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