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Title:Exploring the Female Protagonists' Sexuality and Self-Identity in Zora Neale Hurston's Their Eyes Were Watching God and Toni Morrison's Sula : master's thesis
Authors:ID Zadravec, Klara (Author)
ID Mohar, Tjaša (Mentor) More about this mentor... New window
Files:.pdf MAG_Zadravec_Klara_2026.pdf (1,75 MB)
MD5: C56A28840AD154B95E671596D1BBC75B
 
Language:English
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Abstract:The thesis examines two novels by African-American women writers, Their Eyes Were Watching God (1937) by Zora Neale Hurston and Sula (1973) by Toni Morrison. It focuses on the exploration of sexuality and self-identity of Black female protagonists in the novels and their place in patriarchal African-American society. Both novels are analysed within the historical context of the development of African-American women’s writing and Black feminism in the 20th century, which emerged as a response to double marginalisation due to race and gender. The theoretical part examines the key characteristics of African-American women's literature, the development of Black feminist thought and criticism, and Freud's Madonna-Whore Complex, which serves as a conceptual tool for understanding the male-female relationships in the novels. The analytical part investigates how the novels' female protagonists shape their self-identity through their relationships with men and strive towards personal and sexual autonomy. Janie, from Their Eyes Were Watching God, progressively rejects different kinds of patriarchal authority and ultimately finds her own self-identity and voice. Sula, from the eponymous novel, embraces sexual freedom and defies social norms, thus representing a radical rebel, the Whore, while her friend Nel is an example of a Madonna-like obedient wife. Both novels not only reflect the feminist ideas of their times but also actively contribute to their development and thus help consolidate the literary and feminist tradition of African-American women.
Keywords:Black female sexuality, Black feminism, Madonna-Whore Complex, Their Eyes Were Watching God, Sula
Place of publishing:Maribor
Place of performance:Maribor
Publisher:K. Zadravec
Year of publishing:2026
Number of pages:1 spletni vir (1 datoteka PDF (X, 76 str.))
PID:20.500.12556/DKUM-95606 New window
UDC:811.111(73).09-3:305-055.52:159.923.2(043.2)
COBISS.SI-ID:285499651 New window
Publication date in DKUM:21.07.2026
Views:339
Downloads:4
Metadata:XML DC-XML DC-RDF
Categories:FF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:30.09.2025

Secondary language

Language:Slovenian
Title:Spolnost in samopodoba v romanih Their Eyes Were Watching God Zore Neale Hurston in Sula Toni Morrison
Abstract:Zaključna naloga obravnava dva romana afroameriških avtoric, Their Eyes Were Watching God Zore Neale Hurston, ki je bil objavljen leta 1937, in Sula Toni Morrison, objavljenega leta 1973. Zaključno delo z analizo obeh romanov prikaže razvoj feministične misli pri afroameriških ženskah in črnskega feminističnega gibanja. Analiza v ospredje postavi in podrobno preuči ljubezenske odnose afroameriških protagonistk v romanih, tudi skozi prizmo Freudove teorije o kompleksu devica – vlačuga.
Keywords:spolnost temnopoltih žensk, črni feminizem, kompleks devica – vlačuga, Their Eyes Were Watching God, Sula


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