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Title:Teatralizirani pekel zmagovalcev Smoletove Antigone, Hiengovega Osvajalca in Zupančičevega Elektrinega maščevanja
Authors:ID Toporišič, Tomaž (Author)
Files:.pdf RAZ_Toporisic_Tomaz_2025.pdf (1,01 MB)
MD5: DBDFBE896536A257A9124D63FDCC2546
 
URL https://doi.org/10.18690/scn.18.2.%25p.2025
 
Language:Slovenian
Work type:Scientific work
Typology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
UZUM - University of Maribor Press
Abstract:Prispevek se posveča trem dramam, v katerih so avtorji posegli po antičnih mitih in zgodovinskih dogodkih, da bi spregovorili o sodobnih etičnih dilemah. Izpostavi Smoletovo Antigono (1960), Hiengovega Osvajalca (1970) in Zupančičevo Elektrino maščevanje (1988). Vse tri drame zaznamuje badioujevska "strast do realnega". Smole tematizira nasprotje med posameznikom in državo v duhu povojne kritične generacije. Hieng opozarja na nevarnosti kolonializma, fanatizma in zgodovinskega nasilja. Zupančič pa oživlja mit o Elektri in tematizira nemoč resnice v času ideološke otopelosti. Kljub različnim estetikam vse tri drame povezuje potreba misliti mit in zgodovino na nov način.
Keywords:povojna slovenska dramatika, antični mit, parafraza, Dominik Smole, Andrej Hieng, Mirko Zupančič
Publication status:Published
Publication version:Version of Record
Publication date:14.11.2025
Year of publishing:2025
Number of pages:str. 96-111
Numbering:Letn. 18, št. 2
PID:20.500.12556/DKUM-96076 New window
UDC:821.163.6.09-2
ISSN on article:1855-6302
eISSN:2385-8753
COBISS.SI-ID:258822147 New window
DOI:10.18690/scn.18.2.%25p.2025 New window
Publication date in DKUM:01.12.2025
Views:115
Downloads:4
Metadata:XML DC-XML DC-RDF
Categories:Misc.
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Record is a part of a journal

Title:Slavia Centralis
Publisher:Filozofska fakulteta Univerze v Mariboru, Oddelek za slovanske jezike in književnosti, Filozofska fakulteta Univerze v Mariboru, Oddelek za slovanske jezike in književnosti, Univerzitetna založba Univerze v Mariboru
ISSN:2385-8753
COBISS.SI-ID:275835904 New window

Document is financed by a project

Funder:ARIS - Slovenian Research and Innovation Agency
Project number:P6-0376
Name:Gledališke in medumetnostne raziskave

Licences

License:CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International
Link:http://creativecommons.org/licenses/by-sa/4.0/
Description:This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.
Licensing start date:14.11.2025

Secondary language

Language:English
Title:The theatricalized hell of Smole's Antigone, Hieng's conqueror, and Zupančič's Electra's revenge
Abstract:The present contribution focuses on three dramas whose authors turned to ancient myths and historical events to address contemporary ethical dilemmas. The dramas under scrutiny are: Antigone (1960) by Dominik Smole, The Conqueror (1970) by Andrej Hieng, and Electra's Revenge (1988) by Mirko Zupančič. All three plays are marked by a Badiouan "passion for the real". Smole explores the conflict between the individual and the state in the spirit of a post-war critical generation, Hieng draws attention to the dangers of colonialism and fanaticism, While Zupančič revives the myth of Electra to confront the impotence of truth in an era of ideological numbness. Despite bearing different aesthetics, all three dramas unite in their need to rethinking myth and history in a completely new way.
Keywords:post-war Slovenian drama, ancient myth, paraphrase, Dominik Smole, Andrej Hieng, Mirko Zupančič


Collection

This document is a part of these collections:
  1. Slavia Centralis

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