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Title:Analiza Vebrovega estetskega doživljaja
Authors:ID Matjašič, Kristijan (Author)
Files:.pdf RAZ_Matjasic_Kristijan_2025.pdf (352,76 KB)
MD5: 6228E6B97A6DAC8E4DD727AC04F2DB93
 
URL https://journals.um.si/index.php/analiza/article/view/5858
 
Language:Slovenian
Work type:Scientific work
Typology:1.02 - Review Article
Organization:FF - Faculty of Arts
Abstract:Vsak človek je tekom lastnega obstoja deležen estetskega doživljanja. Vsakdanja izkušnja lepote in umetnosti nam je samoumevna. France Veber pa se je v svoji obsežni monografiji Estetika lotil ravno tega. Do tega ne pride samo pri umetniških delih, temveč tudi pri vsakodnevnih predmetih, kot so recimo oblačila, avtomobili ipd. O lepoti govorimo tudi pri naravnih pojavih. So pa te sodbe precej nezanesljive, saj se lahko zgodi, da nam je neka stvar v določenem trenutku lepa, čez nekaj časa pa nam postane nepomembna oz. celo manjvredna. Ali obratno. Recimo, Van Goghove slike v njegovem času niso bile kaj prida popularne, zdaj pa ga dojemamo kot enega največjih slikarjev vseh časov. Torej stvar lepote ni samo lepotna in umetna zadeva, temveč temelji tudi na »človekovem bivanju«, kot se izrazi Pirjevec. V članku bomo obravnavali Vebrovo estetsko misel in govorili o tem, kakšna so lahko estetska doživljanja in izkustva lepega, ter o tem, kaj našim tovrstnim doživljajem botruje. S pomočjo Vebrove terminologije bomo skušali odgovoriti na vprašanje, kaj sploh je doživljanje in kaj pomeni intencionalnost doživljanja, hkrati pa bomo razmišljali o možnosti obstoja nepristnih doživljanj.
Keywords:estetika, lepota, predstave, doživljaji, zavest, agentsko modeliranjeVeber
Publication status:Published
Publication version:Version of Record
Publication date:31.12.2025
Publisher:Univerza v Mariboru, Univerzitetna založba
Year of publishing:2025
Number of pages:str. 201-221
Numbering:Letn. 29, št. 2
PID:20.500.12556/DKUM-96998 New window
UDC:111.852
ISSN on article:1408-2969
COBISS.SI-ID:267980035 New window
DOI:10.18690/analiza.29.2.201-222.2025 New window
Publication date in DKUM:06.03.2026
Views:148
Downloads:7
Metadata:XML DC-XML DC-RDF
Categories:Misc.
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Record is a part of a journal

Title:Analiza : časopis za kritično misel
Shortened title:Analiza
Publisher:Društvo za analitično filozofijo in filozofijo znanosti, Društvo za analitično filozofijo in filozofijo znanosti, Univerza v Mariboru, Univerzitetna založba
ISSN:1408-2969
COBISS.SI-ID:67716608 New window

Licences

License:CC BY 4.0, Creative Commons Attribution 4.0 International
Link:http://creativecommons.org/licenses/by/4.0/
Description:This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.
Licensing start date:31.12.2025

Secondary language

Language:English
Title:Analysis of Veber's aesthetic experience
Abstract:Every person experiences aesthetic perception throughout their existence. Everyday experiences of beauty and art are often taken for granted, and we rarely take the time to analyze them. France Veber, however, addressed exactly this in his extensive monograph Aesthetics. This not only applies to works of art but also to everyday objects, such as clothing and cars. We also speak of beauty in natural phenomena. However, these judgments are quite unreliable: it can happen that something seems beautiful to us at one moment, but after some time, it becomes insignificant. Or vice versa. For example, Van Gogh’s paintings were not very popular in his time, but over time, and especially now, he is considered one of the greatest painters of all time. Therefore, the concept of beauty is not only about aesthetic or artificial qualities but also fundamentally related to “human existence,” as Pirjevec writes. The article explores Veber’s aesthetic thought and discuss what aesthetic experiences and perceptions of beauty can be, as well as what underpins these experiences. Using Veber’s terminology, we will attempt to answer the question of what is perception and the intentionality of perception, while also reflecting on the possibility of inauthentic experiences.
Keywords:aesthetics, beauty, representation, experience, consciousness, Veber


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  1. Analiza

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