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Title:Transcendentno v filmski izkušnji
Authors:ID Dimovski, Domen (Author)
Files:.pdf RAZ_Dimovski_Domen_2024.pdf (395,06 KB)
MD5: 6BFD711ADF4F74DE2769056C22ECDA49
 
URL https://journals.um.si/index.php/analiza/article/view/4896/3228
 
Language:Slovenian
Work type:Scientific work
Typology:1.01 - Original Scientific Article
Organization:UZUM - University of Maribor Press
FF - Faculty of Arts
Abstract:Na podlagi teorije konceptualnih metafor bomo predstavili idejo Boga in božanskega kot koncept, pri čemer se bomo navezali na to, kako filmska umetnost upodablja in obravnava duhovne ali religiozne tematike. Poleg omembe tradicionalnih metafor se bomo osredotočili na koncept transcendence kot izkustva preseganja vsakdanje zaznave in razumevanja sveta. Raziskovali bom fenomenološko razmerje med imanenco in transcendenco predvsem v relaciji do tega, kako filmi poskušajo upodobiti izkušnjo ekstatičnosti in dru gosti ter ustvariti doživetja, ki presegajo racionalno razumevanje. Ker filmska umetnost ni odvisna zgolj od verbalnega izražanja, temveč v veliki meri od čutnega in emocionalnega odziva gledalca, je tukaj še posebej zanimiva, ker ji uspe prebiti meje racionalnega diskurza in omogočiti dostop do izkušenj, ki jih običajno povezujemo z religijo in duhovnostjo. Opisali bomo nekaj možnih strategij, s katerimi filmi na gledalčevem živem telesu vzbudijo pomen in smisel transcendentnega ter preučili, kako film postane sredstvo za izražanje neizrekljivega – tiste (božanske) resničnosti, ki je onkraj jezika.
Keywords:transcendenca, imanenca, sveto, film, fenomenologija
Publication status:Published
Publication version:Version of Record
Publication date:30.12.2024
Place of publishing:Maribor
Publisher:Univerza v Mariboru, Univerzitetna založba
Year of publishing:2024
Number of pages:24
Numbering:Letn. 28, št. 1
PID:20.500.12556/DKUM-97162 New window
UDC:791.3:1(4/9)"19/20"
ISSN on article:2712-4916
COBISS.SI-ID:240819971 New window
DOI:0.18690/analiza.28.1.51-76.2024 New window
Publication date in DKUM:20.02.2026
Views:211
Downloads:2
Metadata:XML DC-XML DC-RDF
Categories:Misc.
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Record is a part of a journal

Title:Analiza : časopis za kritično misel
Publisher:Društvo za analitično filozofijo in filozofijo znanosti
ISSN:2712-4916
COBISS.SI-ID:16476931 New window

Licences

License:CC BY 4.0, Creative Commons Attribution 4.0 International
Link:http://creativecommons.org/licenses/by/4.0/
Description:This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.

Secondary language

Language:English
Title:The transcendent in the cinematic experience
Abstract:Based on the theory of conceptual metaphors, we will introduce the idea of God and the divine as a concept, referring to how cinematic art depicts and treats spiritual or religious themes. In addition to mentioning traditional metaphors, we will focus on the idea of transcendence as an experience of transcending everyday perception and understanding of the world. We will explore the phenomenological relationship between immanence and transcendence, particularly in relation to how films attempt to depict the experience of ecstasy and otherness and to create experiences that transcend rational understanding. Since cinematic art does not depend solely on verbal expression but, to a large extent, on the sensual and emotional response of the viewer, it is of particular interest here because it manages to break through the boundaries of rational discourse and provide access to experiences usually associated with religion and spirituality. We will describe some possible strategies through which films evoke the meaning and sense of the transcendent in the living body of the viewer and examine how film becomes a means of expressing the ineffable – the (divine) reality thatis beyond language.
Keywords:transcendence, immanence, sacred, film, phenomenology


Collection

This document is a part of these collections:
  1. Analiza

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