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Title:Zapuščine zgodnjih umetnostnih topografov kot vir za raziskave srednjeveške umetnosti : doktorska disertacija
Authors:ID Duh, Nike (Author)
ID Oter Gorenčič, Mija (Mentor) More about this mentor... New window
ID Sapač, Igor (Comentor)
Files:.pdf DOK_Duh_Nike_2026.pdf (21,49 MB)
MD5: 8CBF732CB996C58451B5E27218DE375D
 
Language:Slovenian
Work type:Doctoral dissertation
Typology:2.08 - Doctoral Dissertation
Organization:FF - Faculty of Arts
Abstract:V sklopu disertacije je nastal katalog devetinpetdesetih oseb, tako imenovanih zgodnjih umetnostnih topografov, ki so v 19. in začetku 20. stoletja na območju Kranjske ter slovenskega dela Štajerske in Koroške pisno, likovno in fotografsko dokumentirali srednjeveške umetnostne spomenike. V raziskavo je bilo vključeno gradivo, ki se nanaša na profano in sakralno umetnost v vseh umetnostnih zvrsteh, torej arhitekturo, slikarstvo, kiparstvo in umetno obrt. Zgodnji topografi so umetnost dokumentirali bodisi za lastne potrebe, brez namena objavljanja gradiva, bodisi v okviru sodelovanja z različnimi društvi, predvsem s Kaiserlich Königliche Zentral-Kommission für Erforschung und Erhaltung der Kunst- und Historischen Denkmale – v disertaciji krajšano centralna komisija. Ker zapuščine zgodnjih umetnostnih topografov in zapuščina centralne komisije za slovenski prostor do sedaj še niso bile sistematično pregledane z vidika dokumentiranja slovenske srednjeveške umetnosti, v nekaterih primerih pa niso bile še niti evidentirane, raziskava zapolnjuje pomemben deziderat v slovenski umetnostnozgodovinski literaturi. Osrednja teza disertacije je bila, da zapuščine zgodnjih umetnostnih topografov vsebujejo do sedaj nepoznano gradivo za raziskovanje srednjeveške umetnosti na ozemlju današnje Slovenije. Teza je bila potrjena s številnimi novimi najdbami o srednjeveških umetnostnih spomenikih, ki v večini primerov dopolnjujejo obstoječe vedenje o teh delih. Osrednji doprinos disertacije predstavljata odkritje opisa danes neohranjenih stenskih poslikav v gradu Kolovrat in najdba fotografskega gradiva, ki prikazuje procesijski križ na upodobitvi sv. Marjete na stenski poslikavi v cerkvi sv. Primoža in Felicijana na Sv. Primožu nad Kamnikom, ki je danes na poslikavi skoraj povsem zbledel. Disertacija prinaša tudi do sedaj v literaturi neupoštevano gradivo za raziskave srednjeveške umetnosti, in sicer fotografije deželnega konservatorja centralne komisije za Štajersko Paula Hauserja (1868–1914) in konservatorja iste komisije Johanna Wista (1841–1916). Njuno arhivsko gradivo je bilo najdeno v fototekah topografskih zbirk za Slovenijo in avstrijsko in slovensko Štajersko v depoju umetnostnozgodovinske knjižnice Inštituta za muzikologijo in umetnostno zgodovino Univerze Karla in Franca v Gradcu. Raziskava je hkrati razkrila, da gradivo zgodnjih umetnostnih topografov nudi tudi vpogled v tedanja stanja cerkva in gradov, ki so bili ob koncu 19. ali začetku 20. stoletja uničeni. Izstopajoč primer predstavljajo gotske poslikave stare cerkve sv. Martina na Bledu, ki so bile pred uničenjem temeljito dokumentirane s strani zgodnjih umetnostnih topografov. Gradivo je prav tako pomemben vir informacij o odnosu družbe do srednjeveške umetnosti, saj razkriva, kako so jo dojemali župniki, prebivalci župnij in osebe, ki so jo dokumentirale. Med njimi je namreč pogosto prihajalo do razhajanj pri vprašanjih ohranitve srednjeveške cerkvene arhitekture, na primer starih prezbiterijev ali stenskih poslikav. Disertacija predstavlja prvi sistematični popis objavljenega in arhivskega gradiva zgodnjih umetnostnih topografov, ki ga je mogoče uporabiti za raziskave srednjeveške umetnosti in z njo povezanega dogajanja pred prvo svetovno vojno. To delo bo zato nepogrešljiv pripomoček pri nadaljnjem raziskovanju srednjeveške umetnosti, restavratorskih postopkov, osebnih zapuščin topografov in delovanja centralne komisije na območju današnje Slovenije.
Keywords:zgodnji umetnostni topografi, K. K. Zentral-Kommission für Erforschung und Erhaltung der Kunst- und Historischen Denkmale, grad Kolovrat, srednjeveška umetnost, dokumentiranje umetnosti, Sv. Primož nad Kamnikom, fotografija, pisni viri, likovni viri
Geographic coverage:Slovenija; 476-1492;
Place of publishing:Maribor
Place of performance:[Maribor
Publisher:N. Duh
Year of publishing:2026
Number of pages:1 spletni vir (1 datoteka PDF (X, 593 str.))
PID:20.500.12556/DKUM-97553 New window
UDC:7.03"653"(497.4)(043.3)
COBISS.SI-ID:291491331 New window
Publication date in DKUM:17.09.2026
Views:138
Downloads:5
Metadata:XML DC-XML DC-RDF
Categories:FF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:18.03.2026

Secondary language

Language:English
Title:Legacies of the Early Art Topographers as a Source for Research of Medieval Art
Abstract:A catalog of fifty-nine individuals, known as early art topographers, was created as part of this dissertation. In the nineteenth and early twentieth centuries, these individuals documented medieval art monuments in Carniola and the Slovenian parts of Styria and Carinthia in writing and through visual arts and photography. This research included material relating to both secular and sacred art in all art forms; that is, architecture, painting, sculpture, and crafts. The appointed topographers documented art either for their own purposes, without the intention of publishing the material, or in cooperation with various associations, primarily the Imperial Royal Central Commission for the Investigation and Preservation of Art and Historical Monuments (Germ. Kaiserlich Königliche Zentral-Kommission für Erforschung und Erhaltung der Kunst- und Historischen Denkmale), referred to as the Central Commission in this dissertation. Because the legacies of the early art topographers and the Central Committee for the Slovenian region have not yet been systematically reviewed from the perspective of documenting Slovenian medieval art, and in some cases have not even been documented at all, this research fills an important gap in Slovenian art history literature. The central thesis of the dissertation was that the legacies of early art topographers contain previously unknown material for researching medieval art in Slovenia. This thesis was confirmed by numerous new discoveries about medieval art monuments, which in most cases add information to what is currently known about these works. The main contribution of the dissertation is the discovery of a description of the now-lost wall paintings of Kolovrat Castle and the discovery of photographic material showing a painted processional cross in a depiction of Saint Margaret of Antioch on a wall painting in Saints Primus and Felicianus Church in Črna pri Kamniku, which has almost completely faded in its current state. The dissertation also presents material for research on medieval art that has not been taken into account in the literature to date—specifically, photographs by Paul Hauser (1868–1914), the provincial conservator of the Central Commission for Styria, and Johann Wist (1841–1916), a conservator on the same Commission. Their archival material was found in the photo archives of the topographical collections for Slovenia and Styria in the art history library of the Institute for Musicology and Art History at the University of Graz. The research also revealed that the materials created by the early art topographers provide insight into the condition of churches and castles that were destroyed at the end of the nineteenth century or in the twentieth century. A striking example is the Gothic paintings of the old Saint Martin's Church in Bled, which were thoroughly documented by early art topographers before their destruction. The material is also an important source of information about society's attitude toward medieval art because it reveals how it was perceived by parish priests, parishioners, and those that documented it. There were often disagreements on issues related to the preservation of medieval church architecture, such as old chancels or wall paintings. The dissertation presents the first systematic inventory of published and archival material from early art topographers, which can be used for research on medieval art and related events before the First World War. This work will thus become an indispensable tool for further research on medieval art, restoration procedures, the personal legacies of topographers, and the activities of the Central Commission in what is now Slovenia.
Keywords:early art topographers, Imperial Royal Central Commission for the Investigation and Preservation of Art and Historical Monuments, Kolovrat Castle, medieval art, art documentation, Sv. Primož above Kamnik (Črna pri Kamniku), photography, written sources, visual sources


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