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Title:Mehkoba slike v fotografiji Julie Margaret Cameron : diplomsko delo
Authors:ID Čeh, Tanaja (Author)
ID Verlak, Tanja (Mentor) More about this mentor... New window
Files:.pdf UN_Ceh_Tanaja_2026.pdf (1,66 MB)
MD5: 20C47A602784BDBE2A32F75F68F631E9
 
Language:Slovenian
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FERI - Faculty of Electrical Engineering and Computer Science
Abstract:Zaključno delo obravnava fotografijo Julie Margaret Cameron s poudarkom na mehkobi slike kot osrednjem estetskem načelu. Predstavljena sta razvoj fotografije v 19. stoletju in zgodnji vzpon piktorializma, ki je spodbujal umetniški pristop k fotografskemu mediju. Vizualna analiza izbranih fotografij pokaže, kako Cameronova z mehkim fokusom, svetlobo in centralno kompozicijo ustvarja izrazno, psihološko poudarjeno podobo. Primerjava z Gertrude Käsebier in Alfredom Stieglitzem razkrije posebnosti njenega sloga ter potrdi njen vpliv na umetniško fotografijo. Delo izpostavlja tudi recepcijo njenega dela v viktorijanski dobi in poznejše interpretacije.
Keywords:Julia Margaret Cameron, piktorializem, umetniška fotografija
Place of publishing:Maribor
Place of performance:Maribor
Publisher:[T. Čeh]
Year of publishing:2026
Number of pages:1 spletni vir (1 datoteka PDF (VI, 54 str.))
PID:20.500.12556/DKUM-97770 New window
UDC:77.04(043.2)
COBISS.SI-ID:281000195 New window
Publication date in DKUM:29.05.2026
Views:162
Downloads:8
Metadata:XML DC-XML DC-RDF
Categories:KTFMB - FERI
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:12.04.2026

Secondary language

Language:English
Title:Softness of the Image in Julia Margaret Cameron's Photographs
Abstract:This thesis examines the photography of Julia Margaret Cameron, focusing on soft focus as a key aesthetic principle. It outlines the development of 19th-century photography and the emergence of Pictorialism, which promoted an artistic approach to the medium. The visual analysis of selected works shows how Cameron used soft focus, light, and central composition to create expressive, psychologically oriented images. A comparison with Gertrude Käsebier and Alfred Stieglitz highlights the distinctiveness of her style and confirms her influence on art photography. The thesis also addresses the reception of her work in the Victorian era and its later art-historical interpretations.
Keywords:Julia Margaret Cameron, pictorialism, art photography


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