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Title:Under Her Eye: A Comparative Stylistic Analysis of Visualised Sensory Imagery in Margaret Atwood's The Handmaid's Tale and Its Graphic Novel Adaptation : m. a. thesis
Authors:ID Čop, Noemi (Author)
ID Onič, Tomaž (Mentor) More about this mentor... New window
Files:.pdf MAG_Cop_Noemi_2026.pdf (4,56 MB)
MD5: 8A9BD534B988D13B500FC4A5806DC1E4
 
Language:English
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Abstract:This thesis examines sensory representation in the eight “Night” chapters of Margaret Atwood's The Handmaid's Tale (1985) and its visual realisation in Renée Nault's graphic adaptation (2019). It aims to identify an underlying connection between the protagonist's use of sensory perception and her expression of constrained freedom. Adopting a comparative stylistic and close-reading approach, the study analyses how the five senses (e.g., olfactory, gustatory, visual, auditory, and tactile) function within the narrative structure and how they are reinterpreted in the graphic medium. The analysis demonstrates that each sensory mode exhibits distinct characteristics and engages differently with themes of restriction and resistance. Olfactory and tactile elements are closely associated with control and limitation, whereas visual and auditory modes more frequently facilitate subtle acts of defiance. Although such elements occur more frequently in the original novel, they remain central to the adaptation, where they are conveyed through a range of textual and visual strategies, including graphological variation and visual amplification. The thesis ultimately argues that sensory representation operates as a key narrative mechanism through which perception, control, and autonomy are negotiated across both works.
Keywords:Margaret Atwood, Renée Nault, The Handmaid’s Tale, graphic novel, sensory imagery
Place of publishing:Maribor
Place of performance:Maribor
Publisher:N. Čop
Year of publishing:2026
Number of pages:1 spletni vir (1 datoteka PDF (X, 77 str.))
PID:20.500.12556/DKUM-98036 New window
UDC:821.111(71).09-312.9Atwood M. E.(043.2)
COBISS.SI-ID:280326659 New window
Publication date in DKUM:03.06.2026
Views:246
Downloads:32
Metadata:XML DC-XML DC-RDF
Categories:FF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:10.05.2026

Secondary language

Language:Slovenian
Title:Pod njenim očesom: primerjalna stilistična analiza vizualizacije čutov v Deklini zgodbi Margaret Atwood in v istoimenskem risoromanu : magistrsko delo
Abstract:Magistrsko delo obravnava čutno podobje v romanu Deklina zgodba Margaret Atwood in v njegovi priredbi v risoroman avtorice Renée Nault ter izhaja iz predpostavke, da senzorično zaznavanje v obeh delih ni zgolj estetski ali opisni element, temveč pomemben nosilec pomena. Osrednji predmet raziskave je način, kako se osnovni čuti (okus, voh, vid, sluh in tip) pojavljajo v pripovedi ter kako so povezani z Odfredinim doživljanjem sveta, z njenim spominom, identiteto in predvsem z njenimi poskusi ohranjanja vsaj minimalne osebne svobode v totalitarnem sistemu Gileada. Delo izhaja iz širšega konteksta Atwoodine distopije, ki družbo gradi na nadzoru ženskega telesa, odvzemu pravic, kraji plodnosti in sistematičnemu razčlovečenju. V takšnem svetu se zaznava lastnega telesa in okolice izkaže za eno redkih preostalih oblik individualne avtonomije.
Keywords:Margaret Atwood, Renée Nault, Deklina zgodba, risoroman, podobje


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