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Title:Glasbeno-analitična obravnava skladbe Pesmi ujetništva Luigija Dallapiccole : magistrsko delo
Authors:ID Bratuša, Eva (Author)
ID Svete, Tomaž (Mentor) More about this mentor... New window
Files:.pdf MAG_Bratusa_Eva_2026.pdf (6,87 MB)
MD5: 8FC6D7071EC8371AE6D6F08676ECD083
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Abstract:Magistrsko delo obravnava skladbo Pesmi ujetništva (Canti di prigionia) Luigija Dallapiccole z glasbeno-analitičnega, zgodovinskega in vsebinskega vidika. V teoretičnem delu sta predstavljena skladateljevo življenje in njegova ustvarjalna pot, pri čemer je posebna pozornost namenjena vplivu večkulturnega okolja, izkušnji vojne, fašističnemu kontekstu v Italiji in osebnim posledicam rasnih zakonov. Delo osvetljuje tudi Dallapiccolov odnos do dodekafonije in njegovo povezovanje dvanajsttonske tehnike z izrazito liričnostjo, etično vsebino in humanistično mislijo. Osrednji del raziskave je namenjen ciklu Pesmi ujetništva, njegovemu nastanku, besedilnim izhodiščem ter simboliki ujetništva, trpljenja in notranje svobode. V analitičnem delu so obravnavani posamezni stavki cikla, s poudarkom na uporabi dodekafonskega materiala, motivičnih povezavah, kontrapunktičnih postopkih, vlogi zbora in instrumentalne zasedbe ter odnosu med glasbo in besedilom. Namen dela je pokazati, da Dallapiccolova glasba presega zgolj tehnično uporabo dodekafonije, saj postane prostor osebnega protesta, zgodovinskega spomina in umetniškega izraza.
Keywords:Luigi Dallapiccola, Pesmi ujetništva, dodekafonija, protestna glasba, glasbena analiza
Place of publishing:Maribor
Place of performance:Maribor
Publisher:E. Bratuša
Year of publishing:2026
Number of pages:1 spletni vir (1 datoteka PDF (VIII, 153 str.))
PID:20.500.12556/DKUM-98852 New window
UDC:929Dallapiccola, L.:78.01(043.2)
COBISS.SI-ID:290479875 New window
Publication date in DKUM:09.09.2026
Views:99
Downloads:1
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:14.07.2026

Secondary language

Language:English
Title:A Music-Analytical Study of Luigi Dallapiccola's Canti di prigionia
Abstract:This master's thesis examines Luigi Dallapiccola's composition Canti di prigionia (Songs of Imprisonment) from music-analytical, historical, and contextual perspectives. The theoretical section presents the composer's life and artistic development, with particular emphasis on the influence of his multicultural background, the experience of war, the Fascist political context in Italy, and the personal consequences of the Italian racial laws. The thesis also explores Dallapiccola’s approach to dodecaphony and his integration of twelve-tone technique with distinctive lyricism, ethical content, and humanistic thought. The central part of the study is devoted to the cycle Canti di prigionia, examining its genesis, textual sources, and the symbolism of imprisonment, suffering, and inner freedom. The analytical section investigates each movement of the cycle, focusing on the use of twelve-tone material, motivic relationships, contrapuntal techniques, the roles of the chorus and instrumental ensemble, and the relationship between music and text. The aim of the thesis is to demonstrate that Dallapiccola’s music transcends the merely technical application of twelve-tone technique, becoming a medium for personal protest, historical memory, and artistic expression.
Keywords:Luigi Dallapiccola, Canti di prigionia, dodecaphony, protest music, musical analysis


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