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Title:Skladateljska ustvarjalnost Zlatana Vaude : magistrsko delo
Authors:ID Debeljak, Lenča (Author)
ID Kovačič, Slavko (Mentor) More about this mentor... New window
Files:.pdf MAG_Debeljak_Lenca_2026.pdf (2,22 MB)
MD5: 3ED24CED6757B631DFC0E88817C137D4
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Abstract:Magistrsko delo obravnava življenje in delo slovenskega skladatelja, dirigenta in glasbenega pedagoga Zlatana Vaude (1923–2010) in njegovo vlogo v slovenskem in širšem jugoslovanskem glasbenem prostoru. Ključno vlogo imajo arhivski viri iz Zapuščine Zlatana Vaude, ki jo hrani Glasbena in filmska zbirka Univerzitetne knjižnice Maribor. Posebna pozornost je namenjena njegovemu beograjskemu delovanju, kjer je vodil Otroški zbor RTV Beograd in z njim dosegel številne domače in mednarodne uspehe. Predstavljeni so tudi njegovi pedagoški prispevki, sodelovanje s številnimi glasbeniki in kulturnimi ustanovami in ohranjanje tesnih vezi s slovenskim kulturnim prostorom. Delo predstavlja Vaudov skladateljski opus, ki obsega med drugim glasbeno-scenska dela, zborovsko, komorno, orkestralno, vokalno-inštrumentalno in solistično glasbo in priredbe ljudskih pesmi. Omembe vredna je otroška opera Ježeva hiša (Ježeva kuća), ki je zaradi številnih uprizoritev pomembno zaznamovala njegovo ustvarjanje. Drugi del magistrskega dela je namenjen teoretični obravnavi neoklasicizma kot glasbenega sloga 20. stoletja. Predstavljene so njegove temeljne značilnosti, glavni predstavniki in pojav neoklasicističnih prvin v slovenski glasbi. Ob tem je obravnavana sonata, predstavljen je njen razvoj, klasicistična sonatna oblika in sonata kot ciklična oblika. Praktični del magistrskega dela obsega izvedbo del Ekloga Vladimirja Lovca, Tri uspavanke za Jasno Pavla Merkùja, Preludij in rondo Ljuba Rančigaja ter Sonata brevis Zlatana Vaude za klarinet in klavir. Izbrana dela predstavljajo pomemben del slovenske glasbene ustvarjalnosti in odražajo značilnosti neoklasicističnega glasbenega izraza.
Keywords:Zlatan Vauda, neoklasicizem, sonata, klarinet, slovenska glasba
Place of publishing:Maribor
Place of performance:Maribor
Publisher:L. Debeljak
Year of publishing:2026
Number of pages:1 spletni vir (1 datoteka PDF (IX, 54 str., [2] str. pril. str.))
PID:20.500.12556/DKUM-99014 New window
UDC:78.071.1Vauda Z.:78(497.4)(043.2)
COBISS.SI-ID:289402627 New window
Publication date in DKUM:31.08.2026
Views:151
Downloads:6
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:24.07.2026

Secondary language

Language:English
Title:Zlatan Vauda's Compositional Creativity
Abstract:This master's thesis examines the life and work of the Slovenian composer, conductor, and music educator Zlatan Vauda (1923–2010) and his role within the Slovenian and broader Yugoslav musical landscape. The research is primarily based on archival materials from the Zlatan Vauda Collection, which is preserved in the Music and Film Collection of the University Library Maribor. Special attention is given to Vauda's work in Belgrade, where he directed the Radio Television Belgrade Children's Choir and achieved numerous national and international successes. Moreover, the thesis discusses his pedagogical work, his collaborations with numerous musicians and cultural institutions, and his close connections with the Slovenian cultural environment. Presented as well is Vauda's compositional oeuvre, which encompasses stage works, choral music, chamber music, orchestral works, vocal-instrumental compositions, solo pieces, and arrangements of folk songs. Of particular importance is the children's opera The Hedgehog's House (Ježeva kuća), which, owing to its numerous performances, significantly influenced his work. The second part of the thesis provides a theoretical discussion of neoclassicism as a twentieth-century musical style. It outlines its fundamental characteristics, leading representatives, and the emergence of neoclassical elements in Slovenian music. In addition, the thesis examines the sonata, its historical development, the classical sonata form, and the sonata as a cyclic form. The practical part of the thesis consists of performances of Eclogue by Vladimir Lovec, Three Lullabies for Jasna by Pavel Merkù, Prelude and Rondo by Ljubo Rančigaj, and Sonata brevis for clarinet and piano by Zlatan Vauda. These selected works represent an important part of Slovenian musical creativity and reflect the characteristic features of the neoclassical musical idiom.
Keywords:Zlatan Vauda, neoclassicism, sonata, clarinet, Slovenian music


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