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Title:Medmedialnost v poeziji Vojeslava Moleta : magistrsko delo
Authors:ID Kerčmar, Rebeka (Author)
ID Čeh Steger, Jožica (Mentor) More about this mentor... New window
Files:.pdf MAG_Kercmar_Rebeka_2026.pdf (1,26 MB)
MD5: 5630B8D560673AE8348F0B24D3404833
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Abstract:Magistrsko delo obravnava likovno-literarno medmedialnost v poeziji Vojeslava Moleta (1886–1973), čigar pesniški opus je bil v slovenski literarni zgodovini pogosto zasenčen z njegovim znanstvenim delovanjem. Namen raziskave je preučiti načine prepletanja literarne in likovne umetnosti v Moletovi poeziji ter ugotoviti, kakšno vlogo imajo likovni elementi pri oblikovanju njegovega pesniškega izraza. Raziskava se osredinja na pesniški zbirki Ko so cvele rože (1910) in Tristia ex Siberia (1920), pri čemer izhaja iz predpostavke, da se v Moletovi poeziji literarno-likovna medmedialnost uresničuje na ravni vsebine in forme literarnega dela. Teoretično izhodišče raziskave predstavlja teorija medmedialnosti po Irini O. Rajewsky, zlasti njena opredelitev medmedialnih referenc kot pojavov, pri katerih en medij z lastnimi izraznimi sredstvi evocira drug medij. Pri analizi so uporabljene analitična, deskriptivna, primerjalna, ikonografsko-ikonološka in interpretativna metoda ter metoda sinteze. Posebna pozornost je bila namenjena prepoznavanju likovnih motivov in referenc na likovno umetnost, ekfrazi, rabi umetnostnozgodovinske terminologije, barvne simbolike in vizualnih ter kompozicijskih elementov v poeziji. Analiza je pokazala, da likovna umetnost v Moletovi poeziji nastopa kot pomemben element njegove poetike in se z literarnim medijem prepleta na ravni motivov, simbolov, metafor, zgradbe pesmi in neposrednih referenc na likovno umetnost. Medmedialnost se uresničuje zlasti v referencah na slikarstvo, kiparstvo in arhitekturo, pa tudi v ekfrazi, rabi likovne terminologije, barvne simbolike in kompozicijskih načel. Ugotovitve potrjujejo vpliv Moletovega umetnostnozgodovinskega znanja na njegovo poetiko in izrazito vizualnost njegovega pesniškega izraza. Likovni elementi opravljajo estetsko, simbolno in interpretativno funkcijo ter prispevajo k večplastnosti in estetski kompleksnosti pesmi.
Keywords:Vojeslav Molè, poezija, likovno-literarna medmedialnost
Place of publishing:Maribor
Place of performance:Maribor
Publisher:R. Kerčmar
Year of publishing:2026
Number of pages:1 spletni vir (1 datoteka PDF (VII, 126 str.))
PID:20.500.12556/DKUM-99322 New window
UDC:821.163.6.09:73/76(043.2)
COBISS.SI-ID:289722627 New window
Publication date in DKUM:02.09.2026
Views:183
Downloads:8
Metadata:XML DC-XML DC-RDF
Categories:FF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:12.08.2026

Secondary language

Language:English
Title:Intermediality in the poetry of Vojeslav Mole
Abstract:This master's thesis examines visual-literary intermediality in the poetry of Vojeslav Molè (1886–1973), whose poetic oeuvre has often been overshadowed in Slovenian literary history by his scholarly work. The aim of the research is to investigate the ways in which literary and visual art intertwine in Molè's poetry and to determine the role that visual elements play in shaping his poetic expression. The study focuses on the poetry collections Ko so cvele rože (When Flowers Bloomed, 1910) and Tristia ex Siberia (1920), proceeding from the assumption that visual-literary intermediality in Molè's poetry is realised both on the level of content and on the level of literary form. The theoretical framework of the research is based on Irina O. Rajewsky's theory of intermediality, particularly her definition of intermedial references as phenomena in which one medium evokes another through its own means of expression. The analysis employs analytical, descriptive, comparative, iconographic-iconological, and interpretative methods, as well as the method of synthesis. Special attention is devoted to identifying visual motifs, references to visual art, ekphrasis, the use of art-historical terminology, colour symbolism, and visual and compositional elements in poetry. The analysis has shown that visual art is an important element of Molè's poetics, intersecting with the literary medium through motifs, symbols, metaphors, poetic structure, and references to art. Intermediality is manifested particularly through references to painting, sculpture, and architecture, as well as ekphrasis, art-historical terminology, colour symbolism, and compositional principles. The findings confirm the influence of Molè's art-historical knowledge on his poetics and the distinctly visual character of his poetry. Visual elements fulfil aesthetic, symbolic, and interpretative functions, contributing to the poems' multilayered nature and aesthetic complexity.
Keywords:Vojeslav Molè, poetry, art-literary intermediality


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