Analiza podnapisov glede na rabo socialnih zvrsti slovenskega jezika v filmski trilogiji Boter

Paragi, Tanja

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Title:	Analiza podnapisov glede na rabo socialnih zvrsti slovenskega jezika v filmski trilogiji Boter
Authors:	ID Paragi, Tanja (Author) ID Valh Lopert, Alenka (Mentor) More about this mentor...
Files:	MAG_Paragi_Tanja_2015.pdf (1,16 MB) MD5: 6D772D7F6A059EFA639681D52543ADF9
Language:	Slovenian
Work type:	Master's thesis/paper
Typology:	2.09 - Master's Thesis
Organization:	FF - Faculty of Arts
Abstract:	Namen magistrske naloge je predstaviti in analizirati podnapise v filmski trilogiji Boter glede na rabo socialnih zvrsti slovenskega jezika. V teoretičnem delu so predstavljene socialne zvrsti angleškega in slovenskega jezika, pri čemer smo se opirali tako na teorijo Jožeta Toporišiča kot tudi Andreja Skubica, ki je v teorijo jezikovnih zvrsti uvedel pojem in koncept sociolekta. Prav tako smo se osredinili na pojma družbena mreža in družbeni prostor, ki imata pomembno vlogo pri razumevanju filma in podnaslavljanju oziroma prevajanju v drug tuji jezik. Na koncu je predstavljena še teorija Bernarda Nežmaha, ki je v svojem delu pojasnil razliko med kletvicami in psovkami, kot tudi teorija Kitty M. van Leuven-Zwart, ki je razvila primerjalni model za iskanje razlik med izvirnikom in prevodom. Komparativna analiza vseh delov trilogije Boter, ki se v največji meri osredinja na analizo socialnih jezikovnih zvrsti, je pokazala, da do razhajanj med vsemi deli trilogije Boter ne prihaja. Zgodba vsakega dela nadaljuje pripoved predhodnega. Čeprav so se igralci skozi trilogijo menjavali in je po dveh desetletij, ko je posnet še tretji del trilogije, ostala le peščica istih, so vsi, tako stari kot tudi novi igralci, še vedno predstavljali družino Corleone, italijansko družino, ki se je integrirala v ameriško družbo in poskušala ohraniti ravnovesje med tema dvema kulturama.
Keywords:	filmska trilogija Boter, socialne zvrsti, družbena mreža in družbeni prostor, kletvice in psovke, primerjalni model, italijanska družina
Place of publishing:	Maribor
Publisher:	[T. Paragi]
Year of publishing:	2015
PID:	20.500.12556/DKUM-54833
UDC:	81'255:81'27=111=163.6(043.2)
COBISS.SI-ID:	21682184
NUK URN:	URN:SI:UM:DK:BM3VMX4O
Publication date in DKUM:	29.10.2015
Views:	1559
Downloads:	203
Metadata:
Categories:	FF
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Secondary language

Language:	English
Title:	Analysis of subtitles according to the usage of the social registers of Slovene language in The Godfather Trilogy
Abstract:	The aim of this master's thesis is to present and analyze subtitles in The Godfather Trilogy according to the usage of the social registers of Slovene language. The theoretical part represents the social registers of English and Slovene language, based mostly on the theories of Jože Toporišič and Andrej Skubic, who introduced the term and concept of sociolect in the theory of the social register. We have also focused on the concept of social network and social environment, which play an important role in understanding and subtitling or translating the film into a second foreign language. Finally, we presented the theory of Bernard Nežmah, who in his book clarified the difference between curses and swear words, as well as the theory of Kitty M. van Leuven-Zwart, who developed a method for finding differences between the original and the translation. The comparative analysis that mainly focuses on the analysis of social registers showed that there are no major differences among the three parts of The Godfather Trilogy. Each new part of the film follows the story of the previous film. Even though the actors changed through the trilogy and after twenty years, when the third part of the trilogy was filmed, only a handful of them remained the same, both old and new were still representing the family Corleone, an Italian family, integrated into the American society that sought to maintain balance between these two cultures.
Keywords:	The Godfather Trilogy, social registers, social network and social environment, curses and swear words, comparative model, Italian family

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