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Title:VOKALNI IZZIVI PRI DELU S PEVCI IN PEVSKIMI SESTAVI
Authors:ID Feguš, Robert (Author)
ID Robinson, Simon (Mentor) More about this mentor... New window
ID Raffanelli Krajnc, Simona (Comentor)
Files:.pdf UN_Fegus_Robert_2016.pdf (2,28 MB)
MD5: 3410D16316F1EAED00084C20F511812E
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Izvedba vokalnega koncerta na visoki kakovostni ravni zahteva obvladovanje pravilne pevske tehnike in obveznih odrskih spretnosti. Izkušnje kažejo, da si pevski solisti in zborovski pevci sicer želijo izpeljave kvalitetnih nastopov, vendar se pogosto povsem ne zavedajo pomena izobraževanja za natančno obvladovanje pevskih veščin. Osrednja raziskovalna nota diplomskega dela je povezana z izkustvenimi spoznanji, da je iskreno in pravilno artikulirano vsebinsko izražanje osnova vsakega pevskega izvajanja. Telesna aktivnost in pevski izraz sta opazno odvisna od vertikalnega zaznavanja tonske višine tako pri izvajanju melodičnih postopov kot tudi intervalnih skokov. Osebno sem mnenja, da površna uporaba solmizacijskih zlogov in klasičnega notnega zapisa v zgodnji fazi izobraževanja neposredno škoduje pravilni pevski telesni drži in dojemanju ekstremno oddaljenih tonov. Pevec se mora znebiti refleksnega odziva na priučeno navpično dojemanje melodije in se naučiti mirno in odprto sprejemati energijo horizontalnega gibanja. Problematičen je tudi odnos do zakladnice slovenskih in tujih glasbenih del, kar se odraža v poenostavljenem in poenotenem izvajanju sicer zgodovinsko ter demografsko precej raznolikih stilnih obdobij.
Keywords:Vokalna tehnika, petje, vokali, konzonanti, pevski izraz, dihanje, artikulacija, interpretacija, dinamika, dirigiranje, pevski obseg, resonanca
Place of publishing:Maribor
Publisher:[R. Feguš]
Year of publishing:2016
PID:20.500.12556/DKUM-58670 New window
UDC:781(043.2)
COBISS.SI-ID:22398216 New window
NUK URN:URN:SI:UM:DK:TBS3FUJG
Publication date in DKUM:05.08.2016
Views:1538
Downloads:133
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:VOCAL CHALLENGES AT WORK WITH SINGERS AND CHORAL COMPOSITIONS
Abstract:The high-level vocal concert performance requires proper singing techniques and performance skills. Experience shows that solo singers and choral singers want to carry out quality performances; however, they are often not fully aware of the importance of education of thorough vocal skills control. The main idea of the thesis is related to the empirical knowledge that each singing implementation is based on an honestly and correctly articulated substantive expression. Physical activity and vocal expression are noticeably dependent on the vertical perception of the pitch tone, both in the implementation of melodic progression and interval skips. Personally, I believe that the lax use of sol-fa syllables and the classical musical notation in the early stages of education directly harm the proper singing posture and the perception of extremely distant tones. A singer must get rid of the reflex response to learned vertically melody perception and learn to receive the energy of horizontal movement calmly and openly. The attitude towards the treasury of Slovenian and foreign musical works is problematic as well as this is reflected in a simplified and unified implementation of historically and demographically quite diverse stylistic periods.
Keywords:Vocal technique, singing, vowels, consonants, singing expression, breathing, articulation, interpretation, dynamics, conducting, vocal range, resonance


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