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Title:Teaching visual arts : from the innocent eye to immersiveness and vice versa
Authors:ID Richter, Marijan (Author)
Files:.pdf Revija_za_elementarno_izobrazevanje_2017_Richter_Poucevanje_likovne_umetnosti.pdf (391,83 KB)
MD5: 677B36E14AFB92B6492556A742B73DCA
PID: 20.500.12556/dkum/8e5f53c3-15b0-4a56-86d4-3998eeecec79
 
URL http://rei.pef.um.si/images/Izdaje_revije/2017/2-3/REI_10_2-3_CLANEK8.pdf
 
Language:English
Work type:Article
Typology:1.01 - Original Scientific Article
Organization:PEF - Faculty of Education
Abstract:In the mid-19th century, John Ruskin, apologist for the poetics of the innocent eye, advocated a break with academic Realism. A century later, Gombrich and Goodman criticized Ruskin's Romantic subjectivism from the position of High Modernism. Consequently, the "Enlightenment" approach in teaching visual arts became stronger. Recently, some teaching specialists have been trying to inaugurate the term, immersiveness, in place of visual arts language for the purpose of introducing contemporary art into the syllabus. This paper examines the relation between "the innocent eye myth" and topical approach of "immersiveness" within the framework of educational objectives and methods in contemporary teaching.
Keywords:innocent eye, immersiveness, visuality, children, artistic expression, artwork, creating, motivation
Publication status:Published
Publication version:Version of Record
Year of publishing:2017
Number of pages:str. 251-259
Numbering:Letn. 10, št. 2/3
PID:20.500.12556/DKUM-68995 New window
ISSN:1855-4431
UDC:37.015.31:73/76
ISSN on article:1855-4431
COBISS.SI-ID:23462920 New window
DOI:10.18690/2463-8005.10.2-3.251-260(2017) New window
NUK URN:URN:SI:UM:DK:JZT2AZLT
Publication date in DKUM:16.11.2017
Views:1472
Downloads:128
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Categories:Misc.
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Record is a part of a journal

Title:Revija za elementarno izobraževanje
Publisher:Založba PEF, Pedagoška fakulteta, Založba PEF, Pedagoška fakulteta, Založba PEF, Pedagoška fakultete Univerze, Univerza na Primorskem, Pedagoška fakulteta, Univerzitetna založba Univerze v Mariboru
ISSN:1855-4431
COBISS.SI-ID:239555072 New window

Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:16.11.2017

Secondary language

Language:Slovenian
Title:Poučevanje likovne umetnosti : od nedolžnega očesa do potopitve in obratno
Abstract:Sredi 19. stoletja je John Ruskin, apologet poetike nedolžnega očesa, zagovarjal prelom z akademskim realizmom. Stoletje kasneje sta Gombrich in Goodman kritizirala Ruskinov romantični subjektivizem s pozicije visokega modernizma. Posledično se je okrepil "razsvetljenski" pristop v poučevanju likovne umetnosti. V zadnjem času si nekateri didaktični specialisti za namen uvajanja sodobne umetnosti v učni načrt namesto jezika likovne umetnosti prizadevajo uveljaviti izraz potopitev. Prispevek proučuje razmerje med "mitom o nedolžnem očesu" ter aktualno "potopitvijo" v okviru vzgojno-izobraževalnih ciljev in metod v sodobnem poučevanju.
Keywords:nedolžno oko, potopitev, likovnost, otroci, likovni izraz, likovna dela, ustvarjanje, motivacija


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This document is a part of these collections:
  1. Revija za elementarno izobraževanje

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