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Title:The challenges of translating metaphors in Slovene retranslation of Edgar Allan Poe's short stories
Authors:ID Kaloh Vid, Natalia (Author)
ID Kojc, Agnes (Author)
Files:URL https://journals.uni-lj.si/ActaNeophilologica/issue/view/1503/1188
 
.pdf RAZ_Kaloh_Vid_Natalia_2025.pdf (555,14 KB)
MD5: 4978D825A193CA153188D0819B0454A1
 
URL https://doi.org/10.4312/an.58.1.37-51
 
Language:English
Work type:Scientific work
Typology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Abstract:The article focuses on translations of metaphors, a unique aesthetic and poetic figure that requires special attention and accurate rendering in a literary translation. When translating metaphors, the translator should understand and preserve the meaning and the aesthetic component of the metaphors. The study discusses the rendering of metaphors in translations and re-translations of three short stories by Edgar Allan Poe: “The Gold Bug,” translated by Boris Rihteršič in 1935, and Jože Udovič in 1960; “The Pit and the Pendulum,” translated by Rihteršič in 1935 and by Udovič in 1972, and “The Fall of the House of Usher,” translated by Zoran Jerin and Igor Šentjurc (1952), and by Udovič in 1972. In gothic fiction, Poe established himself as a master of metaphors, which he used with astonishing fluency and precision. The results of the analysis demonstrate how and in which way Slovene translators rendered metaphors in the short stories of one of the greatest writers of gothic fiction, and what strategies they used to preserve Poe’s unique, dark, and delirious metaphorical style.
Keywords:American literature, metaphor, translation strategies, retranslations, short stories
Publication status:Published
Publication version:Version of Record
Publication date:28.05.2025
Year of publishing:2025
Number of pages:str. 37-51
Numbering:Letn. 58, št. 1
PID:20.500.12556/DKUM-94812 New window
UDC:81'255.4'373.612.2:821.111(73).09-32Poe E.A.=163.6
ISSN on article:0567-784X
COBISS.SI-ID:238134275 New window
DOI:10.4312/an.58.1.37-51 New window
Publication date in DKUM:29.08.2025
Views:130
Downloads:21
Metadata:XML DC-XML DC-RDF
Categories:Misc.
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Record is a part of a journal

Title:Acta neophilologica
Shortened title:Acta neophilol.
Publisher:Filozofska fakulteta, Filozofska fakulteta, Znanstveni inštitut Filozofske fakultete, Znanstvena založba Filozofske fakultete Univerze, Založba Univerze v Ljubljani, = University of Ljubljana Press
ISSN:0567-784X
COBISS.SI-ID:16130818 New window

Licences

License:CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International
Link:http://creativecommons.org/licenses/by-sa/4.0/
Description:This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.
Licensing start date:28.05.2025

Secondary language

Language:Slovenian
Title:Izzivi prevajanja metafor v slovenskih posodobljenih prevodih kratkih zgodb Edgarja Allana Poeja
Abstract:V prispevku so obravnavani prevodi metafor iz izvirnega v ciljni jezik. Metafora je edinstvena estetska in poetološka figura, ki v književnem prevodu zahteva posebno pozornost in obravnavo. Pri prevajanju metafor mora prevajalec razumeti in ohraniti pomen ter estetske elemente besedila. Z izbrisom, parafraziranjem ali napačno interpretacijo metafor besedilo izgubi svoj ključni element. Pričujoča študija obravnava metafore v prevodih in posodobljenih prevodih treh kratkih zgodb Edgarja Allana Poeja: »Zlatega hrošča« v prevodu Borisa Rihteršiča leta 1935 in posodobljenem prevodu Jožeta Udoviča leta 1960; »Vodnjaka in nihala«, ki sta jo prevedla Rihteršič leta 1935 in Udovič leta 1972, ter »Konca Usherjeve hiše« v prevodu Zorana Jerina in Igorja Šentjurca (1952) ter Udoviča leta 1972. Poe se je uveljavil kot mojster metafor, ki jih je v besedilu uporabljal z izjemno spretnostjo in natančnostjo. Primerjava prevodov razkriva, kako so se slovenski prevajalci lotili prevajanja metafor v kratkih zgodbah enega najodličnejših pisateljev žanra gotske grozljive zgodbe, razvidne pa so tudi strategije, s katerimi so ohranili Poejev edinstven, temačen in izjemen metaforični slog.
Keywords:ameriška književnost, metafora, prevajalske strategije, kratke zgodbe


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